| Yashica FX3 Super 2000 with: |
Yashica 50mm Zeiss Jena 70-210 mm Zeiss Jena 24 mm
|
| Canon EOS 600 : |
(not used any more)
|
| Canon EOS 620 : |
(not used any more)
|
| Canon EOS 5 with: |
Canon EF 28-80 USM Canon EF 70-300 USM
|
| Mamiya RB 67 with: |
Mamiya-Sekor 90 mm Mamiya-Sekor 50 mm
|
| EPSON PhotoPC 3100Z : |
(not used any more)
|
| Canon EOS 300D : |
(borrowed: not used any more)
|
| Nikon Coolpix 5700 |
(not used any more)
|
| Canon EOS 20D with: |
Canon EFS 18-55 Canon EF 28-80 USM Canon EF 70-300 USM
|
| _______________________ |
| Film (most often used) |
Fujifilm Velvia 50 and 100 ISO (120 and 35 mm) Fujifilm PROVIA 100F (120 and 35 mm) Fujifilm Sensia 100 ISO (35mm)
|
| Film (also used) |
Fujifilm Superia 100 and 200 ISO (35mm) Kodak Elite CHROME 100 ISO (35mm) Kodak EKTACHROME E100VS (120 and 35mm) Kodak EKTACHROME E100G (120 and 35mm) Kodak TMAX 100 ISO (120 and 35 mm)
|
| _______________________ |
| Scanner |
EPSON Perfection 1200 Photo.
|
| _______________________ |
| Software |
Adobe Photoshop CS2
Adobe Lightroom
|
|
|
Josh Reiss has used imagery for expression throughout his entire life. His talents in drawing and computer graphics led to a career spanning over a decade in special effects working on productions for Pixar and Sony Imageworks, as well as teaching at the School of Visual Arts in New York.
